BALTIMORE, MD (April 26, 2021)—The Baltimore Museum of Art (BMA) charted new territory in 2018 when it deaccessioned seven artworks from its contemporary holdings to create an acquisition fund for purchases of works by artists underrepresented in its collection and within broader art historical narratives. During the past three years, this fund has allowed the BMA to acquire 125 works by 85 artists, with entries into the museum’s collection. From May 2 to July 18, 2021, the BMA will present 26 of these works—most on view for the first time since their acquisition—in an exhibition titled  Now Is The Time: Recent Acquisitions to the Contemporary Collection. The exhibition invites visitors to experience  the breadth and depth of these works, created by an incredible array of artists, and to explore the new histories  that these acquisitions are enabling the BMA to share with the public.  

Now Is The Time offers an insightful snapshot of the BMA’s curatorial effort, led by Asma Naeem, Eddie C. and C.  Sylvia Brown Chief Curator, and Katy Siegel, Senior Programming and Research Curator and Thaw Chair of Modern  Art at Stony Brook University, to identify artists deserving of greater scholarly research and public attention, placing  the highest priority on those artists who are also women, Black, Indigenous, self-trained, and/or have connections  to Baltimore. This includes established figures such as Betye Saar, Valerie Maynard, Benny Andrews, Jaune Quick To-See Smith, and Virginia Jaramillo alongside emerging voices such as Firelei Báez, Laura Ortman, Jerrell Gibbs,  and Theresa Chromati, creating dialogues across generations. The exhibition also captures an expansive range of  approaches to making, developed through both self-taught and academic training with examples by artists Beverly  Buchanan, Barbara Chase-Riboud, Thornton Dial, Fred Eversley, Ficre Ghebreyesus, Lonnie Holley, and Suzanne  Jackson, among others. Together, the featured works enhance the image of what art can be and deeply complicate  long-held notions of art history.  

“The BMA’s acquisition efforts are grounded in the belief that the story of art as we know it is incomplete and  includes a much greater number of voices and ideas that have been obscured by various forms of discrimination.  While we are only at the beginning of rectifying those omissions in our collection, we are excited by the ways in  which it has already grown to embrace a wider range of experience and artistry,” said Christopher Bedford, the  BMA’s Dorothy Wagner Wallis Director. “The artists featured in this exhibition, and those we have acquired more  broadly, are not only diverse in their identities and backgrounds but also represent an extraordinary spectrum of  vision, technique, material use, and creative approach. Their works capture innovations across genres and  disciplines that dismantle entrenched artistic hierarchies and boundaries. We look forward to sharing these works  and the stories they hold with our community.”  

Now Is The Time will also include a deeper examination of the BMA’s approach to buying and collecting art of its time with visual displays and descriptions on the BMA’s collecting history, canon correction, the museum’s relationship with  the art market, and collection data analysis to enhance public understanding of each of these topics.

Now Is The Time/news release

Now Is The Time: Recent Acquisitions to the Contemporary Collection is jointly curated by Christopher Bedford,  Dorothy Wagner Wallis Director; Asma Naeem, Eddie C. and C. Sylvia Brown Chief Curator; and Katy Siegel, Senior  Programming and Research Curator and Thaw Chair of Modern Art at Stony Brook University. 

This exhibition is generously supported by the Suzanne F. Cohen Exhibition Fund, BGE, PNC Foundation, Lorayne and  Jim Thornton, Harris Jones & Malone, LLC, and Sheela Murthy/ MurthyNAYAK Foundation. 


Founded in 1914, the Baltimore Museum of Art (BMA) inspires people of all ages and backgrounds through  exhibitions, programs, and collections that tell an expansive story of art—challenging long-held narratives and  embracing new voices. Our outstanding collection of more than 95,000 objects spans many eras and cultures and  includes the world’s largest public holding of works by Henri Matisse; one of the nation’s finest collections of  prints, drawings, and photographs; and a rapidly growing number of works by contemporary artists of diverse  backgrounds. The museum is also distinguished by a neoclassical building designed by American architect John  Russell Pope and two beautifully landscaped gardens featuring an array of modern and contemporary sculpture.  The BMA is located three miles north of the Inner Harbor, adjacent to the main campus of Johns Hopkins  University, and has a community branch at Lexington Market. General admission is free so that everyone can enjoy  the power of art. 


General admission is free. The BMA is open Wednesday through Sunday from 10 a.m. to 5 p.m. Timed reservations,  face masks, and answering two questions about COVID-19 exposure are required for all visitors. The Sculpture  Gardens are open Wednesday through Sunday, 10 a.m. to dusk. The museum and gardens are closed New Year’s  Day, July 4, Thanksgiving Day, and Christmas Day. The BMA is located at 10 Art Museum Drive, three miles north of  Baltimore’s Inner Harbor. For general museum information, call 443-573-1700 or visit