By Megan Sayles
AFRO Staff Writer
msayles@afro.com
Twas the official opening night of, “Santa Claus Is Comin’: A Motown Christmas Revue,” on Dec. 6, and all throughout Baltimore Center Stage (BCS), every foot tapped, every hand clapped and every heart radiated with holiday joy. Created by Nygel D. Robinson, Ken-Matt Martin and Victor Musoni, the show captured the spirit of Motown, reimagining Holiday classics with soulful melodies, rich harmonies and the high energy that defined the era.
Unlike a play or traditional musical, a revue is a theatrical show built around a series of musical numbers, dances and sketches that are linked by a cohesive theme rather than a linear storyline. In this case, “Santa Claus Is Comin’,” used the revue format to honor the sounds of Motown, interact with the audience and celebrate the holiday season.
Bringing this music to life was a small, but mighty cast that included Melody A. Betts, Catrina Brenae, Quincy Vicks and Robinson. Betts, who most recently played Aunt Em in Broadway’s production of “The Wiz,” was a knockout vocalist, channeling the spirit of Gladys Knight. Her rendition of “Rudolph the Red-Nosed Reindeer” was unlike any I’ve ever heard before— a true standout performance. One audience member was overheard after the show with a shared sentiment: “I’ve never heard Rudolph like that,” she said.
Vicks captivated the audience with his charisma, smooth riffs and Motown-infused dance moves. He led a section of the show celebrating the Black church’s influence on Motown, taking to the keys to deliver a gospel-tinged rendition of, “Please Come Home for Christmas.” Baltimore native Brenae led a moving performance of Nat King Cole’s “The Christmas Song,” filling the theater with her warm, velvety voice and nimble runs.
In addition to being a creator and music director for the show, Robinson anchored the performances on piano, leading multiple numbers with his masterful playing and deep, soulful vocals. He also teased music from another original Christmas show he is currently working on for BCS.
Though each performer brought their own style and flair to the show, they also produced stunning four-part harmonies in several a capella moments and full-band performances.
The show was full of opportunities for audience members to engage with the performers. Guests were repeatedly encouraged to sing along, dance, clap and cheer, and some were even invited on stage for a lesson in Motown moves.
One surprise highlight of the production was an appearance by Baltimore’s Bethel A.M.E Church choir, who jumpstarted the second act with an electrifying performance of “Come Thou Almighty King” by Rev. Timothy Wright.
At the close of the show, audience members joined the cast in singing “We Wish You A Merry Christmas,” leaving the theater filled with music, joy and the kind of collective spirit that make Motown— and the holidays— so special.
It would be near-impossible to leave a “Santa Claus Is Comin’” performance without catching the holiday bug, as the infectious energy, powerhouse vocals and Motown beats linger long after the curtain closes. Whether you’re singing along, tapping your feet or just sitting in awe, this revue is a festive celebration that will have you counting down the days to the holidays.
The revue continues throughout Jan. 4, with performances on Wednesdays, Thursdays, Fridays and Saturdays. Tickets can be found on BCS’s website.
