By Chrissy M. Thornton
Special to the AFRO
Baltimore has long been a city brimming with artistic talent, cultural richness and a deep-seated tradition of storytelling that connects generations. And now, we are fortunate to have a true artistic powerhouse return to our city to help shape its theatrical landscape for years to come. Ken-Matt Martin, a distinguished director, producer and visionary in American theater, has officially made Baltimore his home, and the impact of his presence cannot be overstated.
Ken-Matt is no stranger to leadership in the theater world. Having served as an artistic director many times over, a managing director at least twice, and as a founder of his own theater company, he brings an unparalleled breadth of experience to the Baltimore Center Stage team. His work in regional theaters across the country has not only earned him critical acclaim but also has proven his ability to build and sustain vibrant theatrical communities. Martin’s expertise in directing, producing and managing artistic institutions places him in a rare category of multifaceted theater professionals who can both envision and execute.
When Baltimore Center Stage found itself in transition after Stephanie Ybarra’s departure, Martin stepped in as interim artistic director, ensuring continuity and stability for the theater during a pivotal moment. Now, returning as the producing director, he plays a critical role in shaping the institution alongside the theater’s other recent newcomer, acclaimed artistic director Stevie Walker-Webb, and their managing director Adam Frank. His leadership is already proving invaluable, strengthening the theater’s programming, expanding its reach and positioning it as a national model for artistic excellence and cultural engagement.
Martin’s list of accomplishments is nothing short of remarkable. His directorial credits span some of the most celebrated productions in recent years, including August Wilson’s “Fences” and “The Piano Lesson” (Pyramid Theatre Company), the Chicago premiere of “How I Learned What I Learned” starring Harry Lennix (Congo Square Theatre Company), and the world premiere of “NANCY” (Mosaic Theatre Company). His work on Jason Reynolds’ “Long Way Down,” which premiered at Olney Theatre Center before moving to New York’s legendary Apollo Theater, speaks to his ability to bring compelling Black narratives to the forefront of American theater.
Beyond directing, Martin is a true theater builder. He co-founded Pyramid Theatre Co. in Des Moines, Iowa, a groundbreaking organization committed to centering Black voices and stories. He has held leadership roles at Victory Gardens Theatre, Williamstown Theatre Festival and Goodman Theatre, demonstrating his strategic vision and artistic integrity at every turn. He also created innovative programs such as the 20/50 New Play Festival, the Ignite Chicago Festival, and Goodman Theatre’s Live @ Five Show, all of which highlight his passion for fostering new work and supporting emerging artists.
Currently, in addition to his role at Baltimore Center Stage, Martin serves as producing director at Arkansas Repertory Theatre. Balancing leadership at two institutions is no small feat, but Martin’s track record proves he is more than capable of handling the challenge. His first major productions in his new roles include “The Amen Corner” at Arkansas Repertory Theatre and “John Wilkes Booth: One Night Only!” at Baltimore Center Stage, along with overseeing the Center Stage 2025 gala. His ability to seamlessly navigate artistic and administrative duties underscores why he is one of the most sought-after figures in theater today.
However, what truly sets Ken-Matt Martin apart is his humility. His not knowing about this highlight has given me the liberty to write it. Despite his extensive accolades – including the Cloris Leachman Excellence in Theatre Award, Michigan’s Oscar Wilde Award for Best Director, and Chicago’s BACA Black Excellence Award for Outstanding Director – he remains grounded, collaborative and deeply committed to the communities he serves. Baltimore is blessed to have a leader who does not seek the spotlight for himself but instead works to uplift others, cultivate new voices, and create opportunities for artists of all backgrounds.
Motivated by his generosity of spirit, Ken-Matt is not just a capable leader but also a transformative force in the arts and someone who understands the power of theater at the intersection of social justice. At a time when the world is fighting for everything good, it is essential that we embrace and celebrate those who choose to come to Baltimore and pick up the mantle to support our city’s initiatives. Martin is one of those rare individuals who brings both the vision and the action to make real, meaningful change.
Baltimore Center Stage is entering an exciting new chapter – its Next Act. Together, the leadership is shaping an institution that not only produces high-quality theater but also serves as a beacon of cultural, civic, and justice leadership in Baltimore and beyond.
Baltimore thrives when we uplift those who come here to create, innovate, and inspire. Martin is a gem whose brilliance will shine on our stages and in our community for years to come. Ken-Matt, welcome back!
Chrissy M. Thornton is the president and CEO of Associated Black Charities.