Although Avatar and The Hurt Locker landed nine Academy Award nominations each, I foresee the former and director James Cameron enjoying a clean sweep. Breaking all box-office records, Avatar is a juggernaut that nobody will be able to stop on Oscar night. This means that The Hurt Locker, which was directed by Cameron’s ex-wife, Kathryn Bigelow, might very well be shut out entirely, unless the Academy decides to split their votes between the two in the best director and best picture categories.
The most hotly contested of the major categories is best actress, where the least deserving, Sandra Bullock, is the sentimental favorite. However, I anticipate that perennial nominee Meryl Streep (16) will prevail in the most difficult contest to handicap. That’s not the case for the other three acting categories where nominees Jeff Bridges, Christoph Waltz and Mo’Nique may as well be making room on the their mantels for a new trophy.
The 82nd Annual Academy Awards, co-hosted by Alec Baldwin, are set to be broadcast March 7 from the Kodak Theatre in Hollywood.
Without further adieu, allow me to predict the winner in each category. I also indicate which among the nominees, in my humble opinion, is actually the most deserving. And because so many great movies and performances are invariably overlooked, I also recognize several among the snubbed which were certainly worthy of Oscar consideration.
Will Win: Avatar
While some say Avatar is only a slight favorite over The Hurt Locker, common sense says a flick which made over $1 billion is a shoo-in.
Deserves to Win: Precious
Overlooked: Taken, Drag Me to Hell and My Sister’s Keeper
Will Win: James Cameron (Avatar)
Since this category is ordinarily coupled with best picture, that makes James Cameron a slight favorite for The Hurt Locker.
Deserves to Win: Lee Daniels (Precious)
Overlooked: Pierre Morel (Taken), Nick Cassavetes (My Sister’s Keeper) and Sam Raimi (Drag Me to Hell)
Will Win: Jeff Bridges (Crazy Heart)
This is an easy category to handicap, even though it’s not Bridges’ best performance, because the Academy is inclined to reward never-recognized actors late in their career for their body of work.
Deserves to Win: Jeremy Renner (The Hurt Locker)
Overlooked: Liam Neeson (Taken) and Joseph Gordon-Levitt (500 Days of Summer)
Will Win: Meryl Streep
It’s great that Sandra Bullock (The Blind Side) got all the early accolades, but Academy-darling Streep’s delightful impersonation of Julia Child is apt to prove irresistible when it comes time to cast ballots.
Deserves to Win: Gabby Sidibe (Precious) will be ignored because she’s a newcomer, despite being absolutely mesmerizing in her acting debut.
Overlooked: Tilda Swinton (Julia), Charlotte Gainsbourg (Antichrist) and Gwyneth Paltrow (Two Lovers) and Zooey Deschanel (500 Days of Summer)
Best Supporting Actor
Will Win: Christoph Waltz (Inglourious Basterds)
Not much competition here for Waltz’s nonpareil performance, other than Woody Harrelson (The Messenger), who will run a distant second.
Deserves to Win: Christoph Waltz
Overlooked: Anthony Mackie (The Hurt Locker)
Best Supporting Actress
Will Win: Mo’Nique (Precious)
I said, “Just give Mo’Nique the Oscar!” the same day I saw Precious back in October, and nothing I’ve seen since has made me regret making that premature call.
Deserves to Win: Mo’Nique (Precious)
Overlooked: Cameon Diaz (My Sister’s Keeper) and Famke Janssen (Taken)
Predictions in Secondary Categories
Original Screenplay: Quentin Tarantino (Inglourious Basterds)
Adapted Screenplay: Jason Reitman and Sheldon Turner (Up in the Air)
Animated Feature: Up
Art Direction: Avatar
Costume Design: Nine
Documentary Feature: The Cove
Film Editing: Avatar
Makeup: Star Trek
Original Score: Avatar
Original Song: Crazy Heart (“The Weary Kid”)
Sound Editing: Avatar
Sound Mixing: Avatar
Visual Effects: Avatar
Note: I only passed on four categories: foreign language film, which I have an abysmal history of predicting, and the three short categories: live action, animated and documentary.
Kam Williams is a syndicated book and film critic whose work appears in hundreds of publications around the world each week.